Why Art is Called Art
Several individuals and ideas have contributed to the creation of the word “art.” Benjamin Constant is known for coining the phrase, as is Clement Greenberg. This article explores some of these individuals and their thoughts on art. It includes a discussion of the decline of the Aesthetic movement, as well as the criticism of Whistler and Ruskin. It also includes an overview of New Media Art and Interactive Art, which combine vision, auditory, smell and touch.
Benjamin Constant’s coining of the phrase
Despite being a minor player in the political arena, Benjamin Constant did have a number of notable contributions. He is most well known for being an early champion of classical liberalism. He also wrote books on art and religion during the French Revolution and published five-volume works during his exile. He is also noted for his many liaisons with women.
One of his lesser-known works was the “Commentary on Filangieri’s work”. In it, he analyzed religious feeling. His most famous political work is a lecture he delivered in 1819. He hoped it would influence the creation of a new constitution. In the process, he revealed his innermost thoughts.
The first panel in his Venetian cycle was a piece of artwork. The letter that accompanied it gives a brief glimpse into the style of the murals. His descriptions of the background suggest a general theme. He mentions architectures reminiscent of some of the best-known monuments of Venice. He does not say which buildings, though.
Whistler’s criticism of Ruskin
Despite being a great art historian, John Ruskin was not a fan of Whistler’s art. He believed that the paintings he saw were ineffective for their social purpose. Moreover, he argued that Whistler had no right to judge his own work.
Ruskin was a prominent social theorist and the first Slade Professor of Fine Art at Oxford University. He believed that artists had a moral duty to produce good works of art. He rejected laissez-faire capitalism and commercialization of society. He also believed that art should be recognized as a visual form of expression.
Ruskin believed that the art of England was in need of sensitive faculties. He believed that England’s environment could be restored to its previous purity.
Clement Greenberg’s view on art
Throughout the 20th century, Clement Greenberg formulated an insightful and rigorous approach to art criticism. As one of the most influential art critics of the 20th century, he was instrumental in shaping the public perception of contemporary art in the United States.
In his essays, Greenberg outlined his ideas regarding the development of art during the twentieth century. He emphasized the formal properties of painting, such as flatness, and the importance of post-painterly abstraction. He argued that a work of art is not influenced by emotion, but only by its formal qualities.
He also formulated the notion of “high art” in 1960, arguing that art is an independent force, with its own teleology. He promoted “medium-specific” work in his essays, and curated several shows of artists.
New Media Art and Interactive Art combine vision, auditory, smell and touch
Creating an interactive art experience that is fun, engaging and informative is a tall order. A cleverly crafted interactive exhibit can help you forget you are confined to a sterile wall and allow you to enjoy the works of art created by your favorite artists. The best part is, you never have to leave. The resulting collaborative experience is a fusion of aural and visual bliss. The ultimate synesthetic art form is cinema.
The best way to do it is to let your imagination soar. It’s hard to beat the creative energy of a posh art gallery, but it’s even harder to be creative when there’s no one to share the experience with. The latest in a line of interactive art experiences is the newest addition to the family, the “Osborne” – a collaborative multimedia arts space. The newest exhibit, a “Feeling Van Gogh” is a multisensory experience that features a range of interactive art displays designed to bring the Van Gogh to life.
The decline of the Aesthetic movement
During the mid-19th century, a group of artists formed the Aesthetic movement, a movement that questioned the morality of the modern world and looked back to the past for inspiration. Proponents of the movement wanted to create art that could be appreciated by all. The movement, however, became a target of ridicule. Its art was characterized by a search for the ideal abstract beauty.
The movement also promoted the idea that art was not to be concerned with utility. Aestheticists believed that only beauty can offer relief from the advances of science and technology. Aestheticism was supported by German philosopher J.W. von Goethe, as well as by British poet Samuel Taylor Coleridge.
Aestheticism was an avant-garde movement that started in the late 1850s and reached its peak in the early 1880s. It encompassed decorative arts, music, literature, and fine art. Aesthetic Movement artists often relied on the Dudley Gallery, a private patronage for middle-class collectors. It was a popular venue for progressive artists until 1877.